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  • Superficial anatomy of the woman: posterior view. Engraving by S.F. Ravenet after G. Bidloo, 1748.
  • Muscles and bones of the vertebral column. Engraving by C. Grignion after B.S. Albinus, 1748.
  • Muscles of the head, neck, and shoulder. Engraving by G. Scotin after B.S. Albinus, 1748.
  • Muscles and bones of the vertebral column. Engraving by C. Grignion after B.S. Albinus, 1748.
  • Muscles and bones of the head and trunk. Engraving by C. Grignion after B.S. Albinus, 1748.
  • Muscles and bones of the leg and foot. Engraving by G. Scotin after B.S. Albinus, 1748.
  • Muscles and bones of the leg and foot. Engraving by G. Scotin after B.S. Albinus, 1748.
  • Muscles and bones of the trunk and shoulder. Engraving by G. Scotin after B.S. Albinus, 1748.
  • Subcutaneous blood vessels of the head and neck. Colour mezzotint by J. F. Gautier D'Agoty, 1748.
  • Superficial blood vessels of the head and neck. Coloured mezzotint by J. F. Gautier D'Agoty, 1748.
  • Subcutaneous blood vessels of the head and neck. Colour mezzotint by J. F. Gautier D'Agoty, 1748.
  • Dissections of the brain and blood vessels: three figures. Colour mezzotint by J.F. Gautier d'Agoty, 1748.
  • Bones and muscles of the neck, foot and ribcage. Engraving by G. Scotin after B.S. Albinus, 1748.
  • Muscles and bones of the upper arm and forearm. Engraving by G. Scotin after B.S. Albinus, 1748.
  • The standards and criminal habits used by the Inquisition in the Dominions of Spain & Portugal. Engraving, 1748.
  • Clocks: Richard Greene's museum at Lichfield, showing the "Lichfield" clock, two men discussing it. Engraving, 1748, after H. White.
  • A rhinoceros (Clara) shown with a lake and palm trees in the background. Etching by J. E. Ridinger, ca. 1748.
  • Tunbridge Wells, Kent: visitors to the wells and characters of the town in August 1748. Etching after T. Loggon, 1804.
  • The funeral procession of Philip V in Nôtre Dame in Paris in 1746. Etching by C.N. Cochin the younger, 1748.
  • Canary Islanders circling a fountain tree (Spathodea campanulata) and filling their urns with the water it secretes. Wood-engraving, ca. 1748.
  • Aesculapius, representing medicine, receives homage from putti who bring him symbols of botany, natural history, chemistry and anatomy. Engraving by A. Nunzer, 1748.
  • Clocks: a watch-maker seated at his workbench with a long-case and a bracket clock behind him, diagrams of movements above his head. Engraving, 1748.
  • A large table in a lecture hall with many commercial medicine vendors and practitioners seated around it: in the background are many tiers of spectators. Engraving, 1748.
  • A large table in a lecture hall with many commercial medicine vendors and practitioners seated around it: in the background are many tiers of spectators. Engraving, 1748.
  • A surgeon shows a gentleman his surgery: the room contains a human skeleton, écorché figures, rows of jars and a variety of medical instruments. Engraving, ca. 1748.
  • A surgeon shows a gentleman his surgery: the room contains a human skeleton, écorché figures, rows of jars and a variety of medical instruments. Engraving, ca. 1748.
  • Left, a midwife (?) fastens a band of cloth around a pregnant woman's waist, watched by an attendant; right, two attendants bring refreshments. Woodcut by Nishikawa Sukenobu, 1748 (?).
  • Lady Jane Grey, head and shoulders, in a medallion, above an empty throne; in the foreground, a woman holding a coat of arms mourns her. Engraving by G. Vertue, 1748.
  • An écorché figure, back view, with left arm extended, showing the bones and the muscles, with a rhinoceros in the background. Engraving by C. Grignion after B.S. Albinus, 1748.
  • An écorché figure, back view, with left arm extended, showing the bones and the muscles, with a rhinoceros in the background. Engraving by C. Grignion after B.S. Albinus, 1748.